01
Your catalogue,
in good hands.
We manage repertoire track by track and territory by territory. Each claim reflects the active licences in that country and the rights that remain available to the owner.
REPERTOIRE MANAGEMENTMASTER & NEIGHBOURING RIGHTS
Your music.
Your rights.
The right value.
You bring music to life. We collect the royalties you are entitled to, wherever your catalogue takes you.
Let’s talk about your catalogue See how it worksFor record labels
and master owners.
No upfront fees ↗International collection ↗Twice-yearly statements ↗
01 / WHAT WE DO
Behind every play,
there are rights to recognise.
Neighbouring rights generate royalties from the use of sound recordings. We help master owners collect them, with careful management and direct support.
Your catalogue,
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Your royalties,
across borders.
We manage collection in your chosen territories and look for unclaimed royalties. You choose the countries; we take care of the work.
COLLECTION & UNCLAIMED ROYALTIES03
Fewer disputes.
More clarity.
We also assist when a licensee continues to claim money on a master after its licence has expired, gathering evidence to support your rights.
CLAIM RESOLUTION02 / HOW WE WORK
You make music.
We handle the rest.
A simple process, from your first catalogue submission to your royalty statement. With a dedicated portal to keep track of progress and income.
Share your repertoire
Share your catalogue data and authorise us to collect on your behalf. Together, we agree on the territories.
We start the collection
We prepare the data, register the recordings and follow up on claims with collecting societies.
Receive your royalties
Twice a year, we prepare your statements, calculate the amounts due and make payments.
Your results drive ours.
Our fee is a percentage of the income we collect. There are no upfront fees for master owners.
03 / ACROSS BORDERS
Music travels.
Your rights follow.
A catalogue can travel far. We help you manage collection internationally or just in the countries you choose.
We operate where collecting societies are present. Rules and distribution criteria vary by country.
Let’s find the right coverage for you
IN GOOD COMPANY
X-ENERGYenergyd:visioncool d:visionOFF LIMITS
04 / FREQUENTLY ASKED QUESTIONS
Let’s make
things clear.
Who is Label Rights for?
Record labels and owners of sound recording rights, particularly those with international distribution and radio airplay.
Do I have to include every territory?
No. You can choose international collection or specific countries, depending on the rights you own and your existing agreements.
When will I receive statements and payments?
Statements and payments are processed twice a year. The client portal lets you check your current status and income.
What information do you need to get started?
We need your catalogue data and authorisation to collect on your behalf. Where royalties are based on market share, country-specific sales data may also be required. We can help you extract and organise it.
Can you manage different licences for each track and territory?
Yes. We manage repertoire track by track and country by country, taking active licences into account. This lets us adapt each claim to the rights available in that territory.
What if a licensee keeps claiming money after its licence has expired?
We check the mandate, repertoire and available documentation. Where the licensee no longer has the right to claim, we help support the owner’s position with the parties involved.
Are there any upfront fees?
There are no upfront fees for master owners. Label Rights works on a percentage of the royalties actually collected. Contact us for the terms of the service.
YOUR NEXT TRACK STARTS HERE
Make your catalogue
work for you.
↗Tell us about your music and the territories you have in mind.
Let’s start with a conversation.